Tag Al Moritz

Unfit Criticism 1-6

shaneneilson

A record of lifelong dedication to poetry criticism.

1 (retractable devil horns: criticism 1999-2018):

“Poisonous Frame”; “Public Hanging”; “Harbourfront Pigs and Lipstick”; “Rules of Thumb for an Aspiring Critic”; “Pretending to be Great”; “High School Confessional”; “Measured Advice”; “Reaching for Al Purdy”; “Solway the Sad Balladeer”; “Critics at Large”; “The Invisible Man is in your Caesura”; “Introduction to The Pre-Poem Moment“; “Eventual Development”; “McCartney Sings the Blues”; “Recovering the Stars”; “Beauty and Representing Mental Illness”; “Interpreting the Interpreter of Dreams and Culture”; “True Words in the Word Cloud”

2 (personal investments): “Time and Fever”; “Freedom”; “Language on Holiday”; “The Festival of No More Words”; “Explosions”; “Finnegan’s Wake in the Porridge Universe”; “Borrowing Magic”; “David Shields and the Laziness Inherent”; “Coda”; “The Poetics of Plot”; “Zero Chronology”; “But Transcendence”; “How Bad is this Book?”; “It’s Not All About the Brain”; “Healey and Goliath”; “The Paradox I’m Really Pulling For”; “Anticlimax”; “Nice Try, Dostoevsky”

3 (marginal): “How Not to Represent a Region: Coastlines and Overfishing”; “The Backwoods Sobriquet”; “Regionalisms 1.0, 2.0, 3.0, and beyond: Reading Maritime Poetry Anthologies Backward”; “Foosty Boost: The First Two Books of Anne Compton”; “Dr. Acorn, or: How I Joined the Canadian Liberation Movement and Learned to Love the Stern Nurse Fusion Bomb Sun”; “We Shall Know You By Your Reviews: The Progressive White Male & Alden Nowlan’s Collected Poems“; “Heroes & Legends: Finding John Thompson with Peter Sanger”; “Visiting Lane”; “Visiting Wayne Clifford”; “Crossing the Campus”; “Clifford the Not-Sonneteer”; “A shared text is an act of friendship”; “Math, Satire, and Sense: David Helwig’s Seawrack“; “In Some More Distant Key: an Interview with David Helwig”; “Time-Grammar and Second-Order Witnessing: on J.J. Steinfeld’s Identity Dreams and Memory Sounds“; “Return to Scoudouc: A Review of Chaisson’s To Live and Die in Scoudouc“; “Rabbittown Press, David Brewer, Prop.”; “Obituary”; “Angelic Salutation.”

4 (the negative review season one):

“Return of Thematic”; Spoiled Identity and the Frozen Now”; “Crito Revolta”; “Missing Vision”; “Like My Dad, Rapping”; “Dionne Brand is the Most Powerful Poet in Canada”; “The Rebranding”; “CanLit Twitter Matchmade me and Holy Wild“; “The Protest is this Way”; “The Neilson Ratings”

5 (the negative review season 2): “Rocky Mountain Opportunity”; “How the Hell Did Waldo get Published by Dionne Brand? A Tetraptych”; “Sharing and Staring: I Give Best Canadian Poetry 2021 a 1/3 of a Pea rating on Goodpeas (max 5 peas)”; “The Topic of Whiteness in Canadian Poetry”; “Reviewing Reviewing”; “Runaway Griffin Jury 2022”; “Imaginary Griffin 2022 Conversations”; “Can Kevin Connolly Do Anything Right?”; “Maybe . . . Recuse?”

6 (the negative review season 3): “Trend Unsettler”; “Behind the Progressive Times”; “Science Flowers”; “Essaya*ona*Selecteda*Poemsa*ina*Threea*Partsa*”; “The Mid to Mild Kinglet”; “Unpublishing the Archive”; “Men at Play”; “Repetition and Gallstones”; “No Joke”; “On Wunker’s The Routledge Introduction to Twentieth-and-Twenty-First-Century Canadian Poetry“; “All’s Punny in Ding-Dong Land”; “Marred by Association”; “Losers Gotta Lose: Smile for the Screenshots”; “The Marvel Superhero Movie Post-Credits Scene: TNR Project Debrief”

Reviews and Commentary of/on New Brunswick (Biblioasis, 2019)

shaneneilson

M. Travis Lane in Canadian Notes & Queries 110: “New Brunswick is a love poem; it is a major work of art by a major artist, beautiful, moving, and ‘true to things’ in their complexities and griefs . . .I can only urge my fellow lovers of serious literature to treasure it.”

Barbara Colebrook Peace in The Malahat Review 209: “In his beautiful and haunting new collection of poems, New Brunswick, Shane Neilson explores the nature of his home province with the same deeply searching spirit he has hitherto brought to the subjects of pain and identity. He has made the book so personally moving and engaging that he draws the reader into this exploration with him.”

Micheline Maylor in Quill and Quire July/August 2019: “Neilson’s sharp observations entice. New Brunswick rings in tone and tribute as a moody historic elegy.”

Aaron Schneider in The Temz Review 8: “New Brunswick leaves you with the impression that there are more poems to be written, and they are poems that, like the ones in the book itself, you would very much like to read.” 

R.M. Vaughan in NBMediaCo-op June 12, 2019: “Oromocto-born writer Shane Neilson’s latest book of poems, plainly and aptly titled New Brunswick, is a major new work in the provincial, and way beyond, canon. Centering New Brunswick within larger national dialogues, New Brunswick (Biblioasis, 2019) takes a hard and moving look at how the province (indeed, all of Canada) can and must reconcile its past with its present, begin to heal its deeply wounded environment, and turn “regionalism”, formerly a dirty word in poetics, into something urgent and far more resonant.

James Fisher in The Miramichi Reader, Sept. 14 2019: “First impressions upon reading New Brunswick: (1) I felt like I went a few rounds with Yvon Durelle, the Fighting Fisherman, so hard-hitting is the emotional impact of this collection. (2) I was amazed at how much of New Brunswick’s history, current affairs and sense of place Mr. Neilson incorporates into his poems.”

Al Moritz in The Fiddlehead 283: “Shane Neilson’s poetry in New Brunswick so often expresses itself completely in a single beautiful poem, passage, or aphoristic-symbolic phrase—a world in a grain of sand—that one can put aside at first (and some readers, I suppose, could do without forever) its exploratory and marvellously expressive use of the serial, or sequential form. I’m so taken by the power of the local in this book that I’m virtually content to access solely through its mediation the universal that is equally a direct element of the poetry, and that ought to be engaged directly to get a full view of the book’s project and accomplishment.”

Neil Surkan in Canadian Literature: “n his latest excellent collection, New Brunswick, Shane Neilson also focuses on the particulars of place. His poems, however, expand and contract to take in political, economic, and cultural concerns while somehow doubling as moving, intimate elegies and meditations on family. Somehow comes to mind repeatedly when reading this collection: the book’s six sections are as ambitious as they are impressive in the ways they renovate and reimagine the long poem form. From its opening timeline-poem, to sequenced stand-alone lyrics, to hybridized crowns of sonnets, New Brunswick consistently surprises. Philip Larkin, Patrick Lane, Robert Lowell, and Alden Nowlan lurk in Neilson’s melodic rhymes and persistent rhythms, but his courageously genuine intimations make his voice unmistakable . . . Subtle and multifaceted, these are poems that juggle more feelings and more forms than most—and more life.