This site hasn’t been terribly busy, but I have been. Over the past year, I’ve been contributing detailed essays concerning Canadian poetry to The Negative Review, my Substack site. I’ve also been fashioning a poetry criticism books series that integrates the critical prose I’ve written on Canadian poetry over the past twenty-two years. Consider this your opportunity to pre-order! Each title in the series below will be published in a run of 50 each, and costs $500 per title. Purchasing all four together gets you the bunch for $1500.
Working backwards, I’m going to unveil the most recent first. Cover still pending, but the draft bumpf for Book 4 in the Unfit Criticism Series is:
In August of 2020, Shane Neilson created The Negative Review on the e-newsletter program Substack. Acquiring more subscribers than he ever dreamed of for an esoteric site devoted to critical prose about Canadian poetry, Neilson delivered a detailed piece each month. He questioned “scandal” as currently constructed in CanLit, pushed back against shame politics, wondered why so many mediocre white Canadian male poets were releasing Selected volumes at a time of diversity in Canadian literature, and even dared to write a negative review about Dionne Brand.
The Negative Review (ShanCor Enterprises, 2021, will be over 200 pp.) contains the following essays:
- Return of Thematic
- We Shall Know You By Your Reviews: The Woke White Male and Alden Nowlan’s Collected Poems
- Spoiled Identity and the Frozen Now
- Crito Revolta: On Marc di Saverio’s Crito di Volta (Toronto: Guernica, 2020)
- The Missing Vision in the Visionary: Shared Universe: New and Selected Poems 1995 – 2020 (Toronto: ECW Press, 2020) As Some Generic DystopiaTM.
- He Doesn’t Look Like a Poet: On Jay MillAr’s I Could Have Pretended to Be Better Than You (Vancouver: Anvil, 2019)
- Like My Dad, Rapping: A Review of Carmine Starnino’s Leviathan (Kentville: Gaspereau, 2020)
- Dionne Brand is the Most Powerful Poet in Canada and No Negative Reviews are Permitted, This Message will Self-Destruct in Five Seconds Beep: A Review-Essay on Doomscrolling in Dionne Brand’s The Blue Clerk (McClelland and Stewart, 2019)
- The Rebranding: Canisia Lubrin’s The DyzgraphXst (McClelland and Stewart, 2020)
- Why Woke CanLit Twitter Matchmade Me and Holy Wild (Toronto: Bookhug, 2018).
- The Protest is This Way: The Problem with Watch Your Head: Writers and Artists Respond to the Climate Crisis (Toronto: Coach House, 2020.)
- The Neilson Ratings: A Big Lie Whites Tell Themselves So That They Can Hoard Social Capital Instead of Awards
Volume 3 in the Unfit Criticism Series is Marginal (ShanCor Enterprises, 2021, typeset 236 pp.)
Bumpf: The third in a unique series of critical texts by Shane Neilson, Marginal includes material intended for Margin of Interest (PQL, 2019), the author’s book of literary criticism on the English language poetry of the Maritimes. The work collected in Marginal is not secondary or inferior to the earlier PQL text, as Neilson intended the original to be a two-volume project. Marginal is a realization of that vision, containing nonfiction pieces on M. Travis Lane, Wayne Clifford, and Peter Sanger; additional material on Milton Acorn and Alden Nowlan; work on prominent Prince Edward Islanders J.J. Steinfeld and David Helwig; and much more.
- How Not to Represent a Region: Coastlines and Overfishing
- The Backwards Sobriquet: A Review of New Brunswick at the Crossroads: Literary Ferment And Social Change in the East
- Regionalisms 1.0, 2.0, 3.0, and Beyond: Reading Maritime Poetry Anthologies Backward
- Foosty Boost: The First Two Books of Anne Compton
- Dr. Acorn, or: how I joined the Canadian Liberation Movement and learned to love the stern nurse fusion bomb sun
- We Shall Know You By Your Reviews: The Woke White Male & Alden Nowlan’s Collected Poems
- Heroes & Legends: Finding John Thompson with Peter Sanger
- Visiting Lane
- Visiting Wayne Clifford
- Crossing the Campus: Introduction to M. Travis Lane’s Heart on Fist
- Clifford the Not-Sonneteer
- A shared text is an act of friendship
- Math, Satire, and Sense: David Helwig’s Seawrack
- In Some More Distant Key: An Interview With David Helwig
- Time-Grammar and Second-Order Witnessing: On J. J. Steinfeld’s Identity Dreams and Memory Sounds
- Return to Scoudouc: A Review of Hermenegilde Chiasson’s To Live and Die in Scoudouc. Translated by Jo-Anne Elder
- Rabbittown Press, David Brewer, Prop.
- Angelic Salutation
- Idiosyncratic Notes on the Essays
Volume 2 in the Unfit Criticism Series is Personal Investments (ShanCor Enterprises, 2021, typeset 222 pp.)
Volume 1 in the Unfit Criticism series (albeit this cover is somewhat in variance — will be fixed) is Retractable Devil Horns (ShanCor Enterprises, 2021, 262 pp.)
Bumpf: The first in a unique series of critical texts by Shane Neilson, Retractable Devil Horns is an irreverently passionate account of Canadian poetry over the past twenty years. Following Judith Butler’s advice to “cherish the longer forms,” Neilson collects his more substantial incendiary pieces, many of which he deliberately suppressed for book publication due to the prevailing ideological climate in the humanities and arts. In the first half of this text, Neilson reaches out to screaming Canadian poetry personalities, down-dresses many of the country’s big names, and attacks performativity; in the second, he thinks through books by talents like Carmine Starnino, Phil Hall, and Sharon McCartney in a more reflective (but no less engaged) manner.
Retractable Devil Horns contains:
- Poisonous Frame: A Review of Laura Ward’s Bad Press: The Worst Critical Reviews Ever! (B.E.S. Publishing, 2002)
- Public Hanging: the Death of the Book Review
- Harbourfront Pigs and Lipstick
- Rules of Thumb for An Aspiring Critic
- Pretending to be Great: Review of Rafi Aaron’s Surviving the Censor: The Unspoken Words of Osip Mandelstam (Niagara Falls: Seraphim Editions, 2006)
- High School Confessional
- Lyric, get thee to a nursing home, they’re showing cartoons in the dining room
- Measured Advice from a Shrieking Personality
- Reaching for Al Purdy: A Review of Beyond Remembering (Madeira Park: Harbour, 2000) and Yours, Al: The Collected Letters of Al Purdy (Madeira Park: Harbour, 2004)
- Solway the Sad Balladeer: an Open Letter to the (Unofficial) Laureate of ‘This Sucks’
- Critics at Large: A Review of Carmine Starnino’s A Lover’s Quarrel: Essays and Reviews (Erin: PQL, 2004) and Peter Sanger’s White Salt Mountain (Kentville: Gaspereau, 2005)
- The Invisible Man Is In Your Caesura: Phil Hall Collaborative Collage w/ John Nyman
- Introduction to The Pre-Poem Moment
- My First Review: Esta Spalding’s Lost August: Poems (House of Anansi Press, 1999)
- Eventual Development: The Poetry of Carmine Starnino
- McCartney Sings the Blues
- Recovering the Stars: A Review of Marc di Saverio’s Sanatorium Songs (Toronto: Cactus Press, 2010)
- Beauty and Representing Mental Illness: A Review of Blackhood #1 (Comics are the Enemy Publications, 2017)
- Interpreting the Interpreter of Dreams and Culture: Introduction to Sing to Me in the Cut (Victoria: Frog Hollow Press, 2015)
- True Words in the Word Cloud: An Experiment in Collaborative Criticism
- Idiosyncratic Notes on the Essays
The ethos behind the series is a tale told in the introduction of Retractable Devil Horns. I won’t tell the tale out of school. Here’s a clue:
If you’re interested in purchasing copies (only serious queries will be responded to), then use the message function on this site. If you are a Canadian university library, I’m afraid only one university per province will be allocated a copy (with one exception). I hope it was you!